Disclaimer: The below top ten list is my opinion and my
opinion alone. If your favorite movie of
2010 isn’t on here; it probably means you’re opinion is dumb, and that you’re too
stupid to know any better. If you think
that, in reality, I am the one who is stupid, then feel free to tweet, google
or email me your opinion.
Welcome to
Best of the Rest. Research tells me that
people on the internet like “best of” lists, so I’m going to start doing
that. My first “best of” is the best of
2010, I hope you enjoy!
Honorable
Mention: The Other Guys
Will Ferrell
has always annoyed me in an uninteresting way.
I can’t really explain it, he just does; but in The Other Guys his
grating comedy style works surprisingly well.
He mostly plays off Mark Wahlberg (another actor I’m not crazy about,) and
the contrast between the two personas makes for some surprisingly hilarious
moments.
What works
best though is the writing and the supporting roles. Eva Mendes, Michael Keaton, Samuel L. Jackson,
Dwayne Johnson and Steve Coogan all put in some of the best comedic
performances of their individual careers.
And they are all given some legitimately brilliant comic scenarios to
play around with.
The Other
Guys may not be a great comedy, but its fun, quotable and incredibly
re-watchable. It definitely deserves an honorable
mention.
#5 Scott Pilgrim vs the World
In 2010
Edgar Wright put together one of his most commercial to date, Scott Pilgrim vs the
World. Is it as funny as his other
movies? No. Is it as smart? Not even close! But despite its shortcomings compared to the
rest of Wrights output, “Scott Pilgrim” shined through at the end of a shockingly
mediocre summer and right before the beginning of an unremarkable awards season.
Much like
Sin City, Scott Pilgrim uses its tremendous amounts of digital effects, in a
fun creative way that makes you feel like you’re living in a weird digital nerd
world of awesomeness. The CGI adds to
the aesthetic instead of taking away from it.
There really
isn’t too much deep meaning to this one, though there isn’t a lack of it
either. It’s a pretty smart action
comedy with a unique plot, creative direction and surprisingly few notable
faults. Edgar Wright hits it out of the park
. . . or at least in to the #5 spot on this list.
#4 Shutter Island
Shutter
Island has been swept away from public consciousness almost entirely, and I’m
not sure why. Martin Scorsese pulls off
mind blowing third act twists much better than Shyamalan ever has. He creates a dark foreboding atmosphere, and
a singularly intruding pacing that makes this one a must watch for horror and
thriller fans alike
In the hands
of another director this plot would have been hokey and annoying, much in the same
way that the recent Now You See Me was.
But Scorsese knows his stuff, and it’s always fun to see him take on a
genre and style that deviates from his usual three-hour crimetastic character
studies.
It’s a
fantastic underrated thriller that, Surprise! Is deserving of the fourth spot
on this list.
#3 Inception
It is rare
to find a movie that instantly becomes not only an instant classic of its
genre, but a pop culture phenomenon as well.
Yet I don’t think that Christopher Nolan’s directorial follow up to The
Dark Knight was destined to be any less.
Inception
has some of the most memorable sequences In modern cinema, a character driven
story and most importantly Nolan’s patented breakneck epicness that have become
the trademark of his work in the last decade.
Science
fantasy seems to be mishandles nowadays in my opinion. Inception is one of only a handful of movies
that I’ve seen in recent years to really use it’s concept in a way that is both
thought provoking and boundlessly entertaining.
Many people have said that it is one of the best movies ever made, and
while I wouldn’t agree with that, I would certainly be willing to call it the
third best movie of 2010.
#2 Blue Valentine
There was a
stint of great movies released a couple times a year there for a while that all
starred Ryan Gosling, and it all started with Blue Valentine.
Blue
Valentine is not a very happy movie. It’s
about relationships, yes, but it’s not the kind of movie that makes you feel
lovey-dovey at the end. It’s a representation
of two real people in a real relationship, and sometimes real relationships go
sour.
I really
ought to right a full review of this one someday since there is so much to talk
about. We really do get to know, and
love, the two main characters. And the deathly
believable and horrifically real fallout between the two is mind shattering.
A lot of
movies use manipulation and tricks to try and effect you emotionally, but they
are almost always hokey and see-through.
Blue Valentine on the other hand is brutally real, I never for once
questioned that what I saw on the screen, and it takes tremendous skill and
craftsmanship to accomplish that. It’s
sad but true, Blue Valentine is the best choice for #2.
#1 Black Swan
The nutty
directors are the most fun to follow, and Darren Aronofsky Is one of the
nuttiest who has ever gotten a humongous budget. Fortunately for the movie going public, he’s
also one of the most talented directors working today. And even more fortunate for the movie going
public in 2010: Black Swan was, and is,
one of the best movies he has ever made.
I’ve always
loved character study movies, and I’ve always loved surrealist movies; and luck
me Black Swan is both of them. It’s Similar,
in a way, to Fear and Loathing in Las Vegas and it’s distortion of reality
through the lens of its protagonist. It’s
also similar to Stanley Kubrick’s The Shining in its stylized violence and
carefully controlled pace. A brilliant
combination that meshes style and substance in a way seldom seen in
cinema. It’s a brilliant cinematic wonder,
and my favorite movie of 2010.
Thank you so
much for reading! If you have your own
opinions about the 2010 cinematic year, or just hate people who dislike Will
Ferrell, feel free to email me at atchleyosaurus@gmail.com! Check back in a couple weeks for more reviews
facts and fun!
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